According to Variety Amazon will offer its video it’s video service as a separate offering for a $9 monthly fee. This is for licensed tv shows and AMAZON PRIME ORIGINALS only and doesn’t include the free shipping for products.
Do you see any value in buying the video service separately? Would you buy it or does the free shipping and access to video content under the existing AMAZON PRIME for $99 make more sense?
Let me know what you think in the comments. Here’s the link to the Variety article.
It’s hard to talk about the AMAZON original series “THE MAN IN THE HIGH CASTLE” without spoiling plot points for those who haven’t finished or worst yet, started the series. If you haven’t guessed, I think you should WATCH THIS SHOW! “THE MAN IN THE HIGH CASTLE” is based on a book of the same name, poses the question “what would the world be like if the Nazis had won World War II?” Well, in this series, the United States would be a much different place. The east coast and a good portion of the midwest would be under Nazi rule, while the west coast would be reigned by Japan. Between the two would be a “neutral zone” reminiscent of the lawless wild wild west.
The show is a political thriller, domestic drama and character study. It often exceeds expectations from one episode to the next. Our heroine Juliana Crain (a great tv character name) is a strong, vulnerable, and flawed woman. Her boyfriend Frank just wants a quiet life with her in San Francisco, but when Juliana’s sister pays her a visit one night, it sets off a chain of events for the couple that will change them forever. Meanwhile, a young man in New York named Joe is on a collision course with the couple that will make him question everything he’s ever known. Set in 1962, the U.S. looks quite different than how we know it. Anyone can be pulled from their home if only suspected of being Jewish or part of the underground resistance group trying to undo the Nazis and Japanese governments. There are no freedoms and very few liberties. Police, military or anyone from the two governments can ask to see a citizen’s papers at any moment without cause. There is very little joy in anyone’s life and what joy we see is mostly on the surface for the benefit of others. That’s all the synopsis I’ll give so not to spoil the story for you.
“THE MAN IN THE HIGH CASTLE” has been renewed for a second season. The show delivered a fantastic season finale with a high stakes final sequence that ended with a jaw-dropping ending. The mostly unknown cast sells every moment of the show. I’m hoping season two will make clear where Blacks, Latinos and immigrants fall within this society’s food chain. While we see a few people of color as extras and a Black character features prominently in the season one story, it’s not clear what happened to these groups in this alternate version of history. My guess is it’s not good.
Given the current Presidential election cycle “THE MAN IN THE HIGH CASTLE” is probably the most relevant show airing. It’s as if the author had a crystal ball for the 2016 political environment. It’s compelling, engaging and more than just entertainment. You won’t regret the time spent watching this show.
Have you watched “THE MAN IN THE HIGH CASTLE”? What did you think? Comment below.
Here’s a look at the show:
UNDATEABLE — “A Live Show Walks Into A Bar” Episode 209B — Pictured: (l-r) Ron Funches as Shelly, Rick Glassman as Burski, Chris D’Elia as Danny, David Fynn as Brett, Brent Morin as Justin — (Photo by: Darren Michaels/NBC/Warner Bros.)
With over 400 scripted series on television and countless reality shows, there really is something for every spread across broadcast, cable and digital platforms. But quantity does not equal quality. With Christmas right around the corner, here’s my list of the 5 Best Gifts TV (including digital platforms) gave us in 2015 (in no particular order).
- Live Scripted Performances on NBC – In the pioneering days of television almost every program was performed live, but in recent history live performances have mostly been relegated to awards shows, reality show finales, the Super Bowl and 2 soaps during sweeps months (“One Life to Live” & “General Hospital”) and sitcoms like “Roc,””Will & Grace” and more recently “Hot in Cleveland.” But in the spring of 2015, NBC aired a one hour live edition of its struggling sitcom “Undateable.” With musical performances from British pop star Ed Sheeran and guest stars including “Scandal’s” Scott Foley, the show served up it’s funniest episode up to that point prompting NBC to order of third season of all live episodes. “Undateable” has become the most creative, daring and by far funniest sitcom on broadcast television this season. While the live production isn’t without it’s technical problems, which have vastly improved, it all still works. Watching the cast make each other laugh and use timely, real world references is just plain fun, something most returning sitcoms are missing this season. During the past few years NBC has also been staging live productions of classic musicals during the holiday season. While “The Sound of Music” and “Peter Pan” fell flat, this year the the network wisely chose to update “The Wiz” featuring new-comer Shanice Williams as Dorothy and an all-star cast (Queen Latifah, Mary J. Blige, and Ne-Yo). “The Wiz” was a success on all fronts. It was expertly directed, choreographed and performed. The success of “The Wiz”should signal a change in the way NBC approaches its live musical productions. With FOX airing a live production of “Grease” this winter I’m hoping other networks look for creative ways to deliver more live scripted programs, especially on the one hour drama front. I would love to see a live episode of “The Good Wife” set in a courtroom during a big trial.
- “Empire” (FOX) – “Empire” premiered it’s first season in January of 2015 and became an instant hit and pop culture sensation. Oscar nominee Taranji P. Henson gave the break-out performance of the year as mother and ex-con Cookie Lyon, but it should be noted that Terrence Howard’s underrated and under appreciated performance and patriarch Lucious Lyon is giving other classic primetime soap villains JR Ewing (“Dallas”), Alexis Carrington, (“Dynasty”) and Angela Channing (“Falcon Crest”).While season 2, which premiered this fall hasn’t benefited from the strong narrative of season 1, and has had some story missteps (Jamal sleeping with a woman, sigh…) “Empire” overall delivers soapy goodness.
- “Looking” – Season 2 (HBO) – In 2015 HBO delivered the second season of “Looking,” the half hour dreamed about a group of gay men in San Francisco facing challenges in romance, family and career. The show delivered a sexy and nuanced love triangle between Patrick, Kevin and Richie which I’m sure the writers planned on diving deeper into in season 3 if there was one. Unfortunately HBO decided to cancel the quiet series that didn’t make as much noise as the creatively challenged “Girls.” The second season of the show was also notable for introducing HIV positive character Eddie and being the first tv show to have a characters talk about PreP (Truvada) a drug the FDA has approved for use to help prevent HIV infections in conjunction with other safer sex practices such as condom use. HBO ordered a two-hour wrap up movie of “Looking” to air in early 2016, but it still stings that a thoughtful show about gay men as leads had such a short life. Luckily, for fans of the show and for those yet to discover it, episodes of “Looking” will live on HBO GO (HBO’s digital platform) forever. And if we’re really lucky, the “Looking” movie will do well enough for HBO to revisit the characters with more tv movies.
- Mature Audiences Matter on Digital Platforms – With the broadcast networks still chasing the 18-49 demo, digital platforms such as NETFLIX and AMAZON PRIME proved that stories featuring older characters still matter and can draw an audience. Shows like “Bloodline” (NETFLIX), “Grace and Frankie” (NETFLIX), “Transparent” (AMAZON PRIME) proved that older, mature characters are still compelling and can carry story. With few exceptions, broadcast television has abandoned storytelling for older characters unless they’re male leads on procedural dramas or supporting characters. Digital platforms have embraced these characters and delivered high quality series centered around them. A few weeks ago I was watching “The Golden Girls” and realized that today that show wouldn’t exist on broadcast television and if it did, it would be a watered down version not nearly as relatable or timeless as what we got in the 1980s. Digital platforms have created a space for the diversity in story-telling that doesn’t exist on broadcast television.
- Regina King wins an Emmy! (“American Crime, ABC) – Regina King is that rare actress who started out as a child star and was able to stay out of trouble as she transitioned into an amazing adult actress. I always thought her performance on the NBC/TNT drama “Southland” should have been earned her multiple Emmy nominations but it was her performance in the limited series “American Crime” that earned her an Emmy for Best Supporting Actress in a Limited Series or Movie. With every performance, whether on tv or the big screen, comedic or dramatic, King gives strong and nuanced performances. Based on the reviews and buzz she could find herself back in the race for her performance in HBO’s “The Leftovers.” King returns for the next edition of “American Crime” in 2016.