PODCAST: SHAMELESS SEX

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SHAMELESS has been one of the most underrated shows on television. It’s great the SHOWTIME has supported the show throughout its run.  In today’s podcast I talk about how sex plays a vital role in the lives of the the characters of SHAMELESS.  Click play and listen!

5 TV SHOWS to WATCH as an ALTERNATIVE TO THE SUPER BOWL!

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If you’re not excited about the showdown between the Broncos and the Panthers in the Super Bowl tonight, here are a few alternate viewing options.  But, you’ll probably want to press pause and check out the half time show to see what surprises Beyonce has in store when she joins Coldplay on stage.

In the meantime check out episodes of these shows where available On-Demand, Netflix, Hulu or their network website:

AMERICAN CRIME (ABC):

AMERICAN CRIME is probably the most daring drama on broadcast television right now.  Season 2 is tackling the subject of male-on-male rape, what it means and peoples perceptions if it being an actual possibility.  Regina King is a stand out among a stellar cast.  Listen to my podcast for more of my thoughts on the show.

SHAMELESS (SHOWTIME):

SHAMELESS is having an interesting season. The Gallagher family has gone through so much over the  years, I was hoping this season would be a little lighter and more fun. But, this is SHAMELESS we’re talking about and the show is cleverly tackling teen pregnancy, abortion, and guns in school.  The show continues to explore the journey of Ian’s struggle with bipolar disorder and how he’s got to figure out how to move on with his life and not keep feeling sorry for himself.  SHAMELESS sets a high bar with this storyline.  Don’t worry the show still finds time to be sexy, messy and funny.

VEEP (HBO):

Julia Louis-Dreyfuss is brilliant as VP of the United States fighter her way to the presidency.   While we might cringe at moments during our current presidential race, the faux pas of Selina and her staff will make you laugh out loud.

BEING MARY JANE (BET):

Gabrielle Union is a stunner in BEING MARY JANE. She plays Mary Jane’s sexiness, and messiness as deftly as any lead actress on more buzzed about shows like EMPIRE, HOMELAND and SCANDAL.  As single woman trying to navigate her career and troubled love life, she also has her often needy family to contend with. BEING MARY JANE has set a new bar for the scripted programming on BET and it deserves more notice in the mainstream press than it gets.

MICHAEL JACKSON’S JOURNEY FROM MOTOWN FROM OFF THE WALL (SHOWTIME):

While this is actually a documentary, I highly recommend it to all music or just pop culture lovers. The documentary is filled with interviews with those who worked with Michael Jackson while he was still a member of The Jacksons to his evolution as a solo artist.  The doc also features interviews with Michael, reminding us of what a genius he really was.

 

3 TV Shows That SHOULD Get a REBOOT!

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Most of the tv development news coming out in recent months has been about reboots of old series and in some cases movies.  Networks are trying to lure viewers with known brands, some of which weren’t that successful the first time around such as THE GREATEST AMERICAN HERO which originally aired on ABC and is now in development at FOX.

I decided to get in on the fun and offer up some ideas for three series reboots that could be fun, compelling and relevant.

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QUEER AS FOLK originally aired on SHOWTIME from 2000-2005 and at the time was a groundbreaking series about a group of gay and lesbian young adults navigating their love lives, careers, and the political landscape of the early 2000s. I watched all five seasons of the show and thought it was at its strongest creatively in its final season.  This is when the characters took on political activism at the local level fighting for gay rights.  Ten years later, watching reruns of QUEER on Showtime, I realize how ahead of its time the show really was back then.  They were telling stories about the fight for gay marriage, HIV treatment, and job discrimination. Sadly, SHOWTIME didn’t have as high a profile for its original series as it does now so the show didn’t get the mainstream press coverage it would receive today. That’s why QUEER AS FOLK is a perfect candidate for a reboot.

The show could explore the pressures of Michael and Ben’s relationship as a married couple raising their adopted daughter. Ben, who is HIV positive, now has better treatment options with the virus now undetectable. Michael could be one of the early users of PrEP and is now an advocate for use of the drug. Now at 40, still single playboy Brian wonders what his future holds as each of his friends begin to couple off leaving him feeling like the odd man out. Brian could also suffer a bit of a midlife crisis as he discovers his age to be a challenge in the dating scene. Both Michael and Brian have children with lesbian couple Lindsay and Melanie. Gus who is Brian’s son with Lindsay, would now be a teenager and has a lot of story potential. Gus, could be an aspiring artist like his mother and a young rogue like his father.

There’s so much story potential with QUEER AS FOLK that SHOWTIME should revisit the series.

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A DIFFERENT WORLD is another show that I think found its voice during its latter seasons.  The real magic of the show was the relationship of engineering student Dwayne Wayne and socialite Whitley Gilbert. They were truly one of the best primetime love stories of the late 1980s early 90s.  By the series finale in 1993, Dwayne and Whitley were moving to Japan and expecting a baby.

22 years later, Dwayne and Whitley have returned to Virginia after Whitley accepts the position of Dean of Fine Arts Studies at Hillman College. Dwayne, who made a fortune developing video games, has “retired” and agrees to take an adjunct faculty position in the Hillman Engineering department.  Dwayne and Whitley’s oldest daughter took time off from her college studies and is now starting her junior year at Hillman. Part of  Dwayne and Whitley’s motivation to returning to Virginia is to keep an eye on their daughter.  They could have a son, who like his father was, is a late bloomer and is starting his freshman year at Hillman.  The couple find themselves to be surrogate parents to their children’s group of friends while dealing with their marital issues.  Now being financially comfortable, Dwayne would prefer if he and Whitley spent time traveling but Whitley feels as though this job at Hillman is finally her chance to be seen as more than a wife and mother.

A DIFFERENT WORLD explored issues such as date rape, racism, and domestic violence, all issues that are still relevant today.  The setting of a historically Black college is perfect to touch on contemporary issues facing young African Americans.  With Dwayne and Whitley as the entry points to the series, a reboot of A DIFFERENT WORLD would attract a multigenerational audience.  This would be a great project for NETFLIX since they’ve already revived FULL HOUSE (now FULLER HOUSE).

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MURPHY BROWN aired on CBS for 10 seasons and was widely acclaimed for its political satire. Murphy, brilliantly played by Emmy winner Candice Bergen, was a sharp investigative reporter/news anchor, recovering alcoholic, single mother and breast cancer survivor.  The show was unafraid to cover social and political topics with biting humor.

Today we’d find Murphy having just handed over the reigns of the nightly newscast that she anchored to a younger man. Still under contract with CBS Murphy has developed a daytime talk show, a la THE VIEW. Corky Sherwood (Faith Ford) has become Murphy’s producing partner and serves as the executive producer of the new talk show.  While Murphy envisions the talk show as a platform for discourse on social and political issues, the network wants it to have more mainstream appeal and Corky is called upon to try to convince Murphy to participate in some of the more populist aspects of the daily show, such as doing live commercials for advertisers and presenting segments about products at discount prices.  Murphy would be joined by Jessica Silverberg, the daughter of Murphy’s former producer Miles Silverberg.  Jessica’s claim to fame is as a conservative blogger with no real journalism experience. While Murphy is still fond of Miles she has little patience for his daughter. Murphy’s son Avery, now in his 20’s is following in his parents footsteps and aspires to be a journalist.  He works as a production assistant on Murphy and Corky’s former newsmagazine show FYI.  Murphy’s new talk show studio is next door to FYI, allowing Avery to stop by and see his mom and flirt, to Murphy’s horror, with Jessica.

Revisiting MURPHY BROWN would allow a television comedy to look at contemporary issues through the lens of two women from different generations and political parties. Smart, sophisticated comedies are in short supply on the broadcast networks and a reboot of MURPHY BROWN would be the perfect companion to the CBS sitcom MOM.

The Reboot of the Reboot is Being REBOOTED!

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It’s long been common practice for the movie industry to develop remakes or reboots of franchises (BATAN, BEN-HUR, ESCAPE FROM NEW YORK) and television development executives are following their lead. It seems as though every day a network is announcing a reboot of an old tv series or an adaptation of an 80s or 90s movie for television. The short list include tv revivals of HART TO HART (with a gay twist); FULL HOUSE (now called FULLER HOUSE); TWIN PEAKS; THE X-FILES; PRISON BREAK; THE FRESH PRINCE OF BEL AIR; XENA: WARRIOR PRINCESS: THE A-TEAM; MACGYVER; AMAZING STORIES; GILMORE GIRLS (as a limited series on NETFLIX); and this season’s THE MUPPETS and HEROES: REBORN.

In the past, most of these shows would have just returned as television movies, but with the expanded platforms from which viewers have to choose, everyone is looking for content with built-in name and brand recognition.

Among the movies being adapted into tv series are: MY BEST FRIEND’S WEDDING; LETHAL WEAPON; ALL OF ME (1984 movie starring Steve Martin and Lily Tomlin); FATAL ATTRACTION; and CRUEL INTENTIONS, which was previously developed as a tv series called MANCHESTER PREP for FOX but the pilot was ultimately released as a movie on home video.

It’s not uncommon to see popular movies in the tv development pipeline. Often times they don’t make it to series but again, they’re a known quantity and it helps networks and other content platforms with their marketing efforts if they don’t have to spend a lot of time introducing the concept to the audience.  In the old days, this was often done with spinoff series, but that practice seems to have lost favor.

Development executives must be having a difficult time getting writers to pitch exciting original ideas.  And, with the myriad of content providers, experienced show runners are in higher demand.  This is both good and bad. It gives new talent an opportunity to shine behind the scenes, but sometimes that lack of experience can show in the execution. On the  other hand, we get new concepts such as BLACK-ISH (ABC), CLUB DE CUEROS (NETFLIX) and TRANSPARENT (AMAZON).

The burning question is just how much do viewers care about revisiting some of the brands being adapted and rebooted. This season has seen mixed results with MINORITY REPORT on FOX finding its episode order reduced after poor ratings results and LIMITLESS on CBS getting a full season pickup this week. My guess is that fans will flock to GILMORE GIRLS since the series didn’t get the satisfactory conclusion it deserved. FULLER HOUSE will probably garner some interest but since the show went off the air series star Candace Cameron Bure has become quite polarizing because of her religious and political leanings.  I still don’t get the PRISON BREAK reboot. The series had such a limited concept to begin with and ran out of creative steam by the end of season 2 of its four year run.

None of the movie adaptations really excite me.  FATAL ATTRACTION could have some soapy fun but seems limited in scope. There are stalking laws that can resolve this story by the end of the pilot.  ALL OF ME seems an odd pick for an adaptation. Steve Martin and Lily Tomlin made for a fun comedic duo, but no one remembers the film.

It will be interesting to see how far some of these projects get in the development process. Hopefully, among all the reboots and adaptations we’ll see original projects as exciting as EMPIRE, HOW TO GET AWAY WITH MURDER and BLOODLINE. There are a lot of writers out there with fresh ideas, I hope network heads are encouraging their development executives to seriously consider these projects.

Are you excited for any of the reboots or adaptations? Are there any other shows or movies you’d like to see on the small screen?  Comment below.

Also, check back to read some of my ideas for series I think would be fun reboots or television adaptations. Oh, and bonus points for anyone who can name the inspiration for the title of this article.