The WordPress.com stats helper monkeys prepared a 2015 annual report for this blog.
Here’s an excerpt:
A New York City subway train holds 1,200 people. This blog was viewed about 3,700 times in 2015. If it were a NYC subway train, it would take about 3 trips to carry that many people.
Click here to see the complete report.
This past winter TV Land signaled a shift in its original programming strategy when it debuted the Darren Star sitcom “Younger,” starring Broadway star and TONY winner Sutton Foster. The single-camera comedy is a far cry from the traditional multi camera sitcoms the network has offered in the past (“Hot in Cleveland,” “The Exes,” etc.). The premise is built around Liza Miller (Foster), a 40 year-old divorce mother who is desperate to get back into the workforce. Liza left her career in publishing fifteen years ago and after a series of interviews she realizes returning to the workforce won’t be easy. After a 26 year-old tattoo artist mistakes her for being his age, Liza and her friend Maggie (Debi Mazar) concoct a scheme for Liza to pretend to be 26 to land a job and through the magic of television, it works!
“Younger” benefits from casting Sutton in the lead role, as she’s able to pull off playing under 40. I thing 26 is a stretch but because she brings so much emotional depth to the role, it becomes very easy to buy into the premise. The show aims to be a present-day basic cable version of “Sex and the City” (also from Darren Star). It’s not “Sex and the City” but that’s not a bad thing. “Younger” is a show where the initial setup drives the character while the characters on “Sex” drove the plot. But “Younger” does get you to care about the character’s and their journeys. With strong writing and nuanced performances from Sutton Foster and Hillary Duff (Liz’s co-worker turned bff) it becomes easy to be drawn into their world. The show accurately captures the disconnect between Millennials and Generation X. The younger group has no understanding or appreciation of those who came before them while the older set realizes adapting to a world filled with technology-based relationships is the new norm.
One of the fun aspects of season one of “Younger” is Liza’s “Devil Wears Prada” relationship with her boss Diana (Miriam Trout). Although the two are actually the same age, Liza’s easily believed lie about her age makes Diana instantly judge Liza as just another vapid twenty-something who doesn’t know or value the meaning of hard work. But, since Liza is really older, she’s able to help Diana through personal and professional tribulations. The show is smart in that Diana is not presented as a one dimensional villain, but as a multilayered woman.
TV LAND allows “Younger” to deliver a lot of sex talk with some sex on the side. While there’s not a lot of gratuitous nudity, there is frank language, as has become de rigueur on basic cable. Liza embarks on a relationship with the aforementioned sexy tattoo artist, Josh (Nico Tortorella). It’s fun watching 40 year-old Liza pretending to be 26 and immersing herself in Josh’s world trying to navigate the language, activities (dodgeball anyone?) and sexual fluidity. The series is also setting up a love triangle between Liza, Josh and her more age appropriate publisher Charles Brooks (Peter Hermann).
If and when Liza’s big secret is revealed to her new work family, it will be interesting to see if her talent as a writer/editor will allow them to look past her deceit or have her blackballed from the publishing world entirely. I have a hard time seeing “Younger” running for as long as five years on its initial premise, but I’m interested to see how season 2 plays out. Again, Sutton Foster is so engaging in the role that I want to buy into the premise no matter how silly the set up.
Here’s a look at “Younger”:
UNDATEABLE — “A Live Show Walks Into A Bar” Episode 209B — Pictured: (l-r) Ron Funches as Shelly, Rick Glassman as Burski, Chris D’Elia as Danny, David Fynn as Brett, Brent Morin as Justin — (Photo by: Darren Michaels/NBC/Warner Bros.)
With over 400 scripted series on television and countless reality shows, there really is something for every spread across broadcast, cable and digital platforms. But quantity does not equal quality. With Christmas right around the corner, here’s my list of the 5 Best Gifts TV (including digital platforms) gave us in 2015 (in no particular order).
- Live Scripted Performances on NBC – In the pioneering days of television almost every program was performed live, but in recent history live performances have mostly been relegated to awards shows, reality show finales, the Super Bowl and 2 soaps during sweeps months (“One Life to Live” & “General Hospital”) and sitcoms like “Roc,””Will & Grace” and more recently “Hot in Cleveland.” But in the spring of 2015, NBC aired a one hour live edition of its struggling sitcom “Undateable.” With musical performances from British pop star Ed Sheeran and guest stars including “Scandal’s” Scott Foley, the show served up it’s funniest episode up to that point prompting NBC to order of third season of all live episodes. “Undateable” has become the most creative, daring and by far funniest sitcom on broadcast television this season. While the live production isn’t without it’s technical problems, which have vastly improved, it all still works. Watching the cast make each other laugh and use timely, real world references is just plain fun, something most returning sitcoms are missing this season. During the past few years NBC has also been staging live productions of classic musicals during the holiday season. While “The Sound of Music” and “Peter Pan” fell flat, this year the the network wisely chose to update “The Wiz” featuring new-comer Shanice Williams as Dorothy and an all-star cast (Queen Latifah, Mary J. Blige, and Ne-Yo). “The Wiz” was a success on all fronts. It was expertly directed, choreographed and performed. The success of “The Wiz”should signal a change in the way NBC approaches its live musical productions. With FOX airing a live production of “Grease” this winter I’m hoping other networks look for creative ways to deliver more live scripted programs, especially on the one hour drama front. I would love to see a live episode of “The Good Wife” set in a courtroom during a big trial.
- “Empire” (FOX) – “Empire” premiered it’s first season in January of 2015 and became an instant hit and pop culture sensation. Oscar nominee Taranji P. Henson gave the break-out performance of the year as mother and ex-con Cookie Lyon, but it should be noted that Terrence Howard’s underrated and under appreciated performance and patriarch Lucious Lyon is giving other classic primetime soap villains JR Ewing (“Dallas”), Alexis Carrington, (“Dynasty”) and Angela Channing (“Falcon Crest”).While season 2, which premiered this fall hasn’t benefited from the strong narrative of season 1, and has had some story missteps (Jamal sleeping with a woman, sigh…) “Empire” overall delivers soapy goodness.
- “Looking” – Season 2 (HBO) – In 2015 HBO delivered the second season of “Looking,” the half hour dreamed about a group of gay men in San Francisco facing challenges in romance, family and career. The show delivered a sexy and nuanced love triangle between Patrick, Kevin and Richie which I’m sure the writers planned on diving deeper into in season 3 if there was one. Unfortunately HBO decided to cancel the quiet series that didn’t make as much noise as the creatively challenged “Girls.” The second season of the show was also notable for introducing HIV positive character Eddie and being the first tv show to have a characters talk about PreP (Truvada) a drug the FDA has approved for use to help prevent HIV infections in conjunction with other safer sex practices such as condom use. HBO ordered a two-hour wrap up movie of “Looking” to air in early 2016, but it still stings that a thoughtful show about gay men as leads had such a short life. Luckily, for fans of the show and for those yet to discover it, episodes of “Looking” will live on HBO GO (HBO’s digital platform) forever. And if we’re really lucky, the “Looking” movie will do well enough for HBO to revisit the characters with more tv movies.
- Mature Audiences Matter on Digital Platforms – With the broadcast networks still chasing the 18-49 demo, digital platforms such as NETFLIX and AMAZON PRIME proved that stories featuring older characters still matter and can draw an audience. Shows like “Bloodline” (NETFLIX), “Grace and Frankie” (NETFLIX), “Transparent” (AMAZON PRIME) proved that older, mature characters are still compelling and can carry story. With few exceptions, broadcast television has abandoned storytelling for older characters unless they’re male leads on procedural dramas or supporting characters. Digital platforms have embraced these characters and delivered high quality series centered around them. A few weeks ago I was watching “The Golden Girls” and realized that today that show wouldn’t exist on broadcast television and if it did, it would be a watered down version not nearly as relatable or timeless as what we got in the 1980s. Digital platforms have created a space for the diversity in story-telling that doesn’t exist on broadcast television.
- Regina King wins an Emmy! (“American Crime, ABC) – Regina King is that rare actress who started out as a child star and was able to stay out of trouble as she transitioned into an amazing adult actress. I always thought her performance on the NBC/TNT drama “Southland” should have been earned her multiple Emmy nominations but it was her performance in the limited series “American Crime” that earned her an Emmy for Best Supporting Actress in a Limited Series or Movie. With every performance, whether on tv or the big screen, comedic or dramatic, King gives strong and nuanced performances. Based on the reviews and buzz she could find herself back in the race for her performance in HBO’s “The Leftovers.” King returns for the next edition of “American Crime” in 2016.
Aziz Ansari (“Parks and Recreation”) stars in the new Netflix series “Master of None” proving himself to be a solid leading man. The series, set in NYC, follows Dev (Ansari) a struggling, but working actor navigating life in the big city.
In between auditions for commercial, tv and movie roles, Dev surrounds himself with friends Denise (Lena Waithe), Arnold (Eric Wareheim) and Brian (Kelvin Yu). Unlike many other series set in New York, “Master of None” cast supporting characters to reflect the diversity of the population within the city. Even the extras represent a diversity not seen in other New York centric shows like “Friends,” “Sex and the City,” and “Seinfeld.” Much like in the FX series “Louie,” Manhattan looks and feels authentic. I could actually feel the influence of “Louie” on the show, except “Master of None” is much lighter in tone. The show thoughtfully explored Indian stereotypes within the entertainment industry and confronted the narrow mindedness of studio and network executives head-on.
Much like many other Netflix series, “Master of None” takes viewers on Dev’s personal journey over the course of 10 episodes. Dev questions his place in the world, his choice of career and how his life would have differed without the sacrifices made for him by his parents. The journey also includes a cute but often rocky romance with Rachel (Noel Wells). Dev’s parents who immigrated to the U.S. warmly welcome Rachel into their lives with no hangups about her not being of Indian descent, which in 2015 is refreshing. It would have been nice if another young Indian woman had been included in the cast. It would have been a different and interesting perspective of Dev’s story.
“Master of None” is a solid show. By the finale, the story lead Dev in a natural direction that made me wonder what’s next for him.
Check out the trailer for “Master of None” below.